Friday, 26 September 2014

[W332.Ebook] Download PDF Aunt Pitty Patty's Piggy, by Jim Aylesworth

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Aunt Pitty Patty's Piggy, by Jim Aylesworth

Once upon a time, Aunt Pitty Patty took her little niece Nelly to the market, and there they bought a piggy. This fresh, rhythmic version of "The Old Woman and Her Pig" begs to be read aloud again and again!

  • Sales Rank: #1160900 in Books
  • Brand: Brand: Scholastic
  • Published on: 1999-09-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: .45" h x 9.30" w x 11.07" l, .96 pounds
  • Binding: Hardcover
  • 32 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Fresh from The Gingerbread Man, Aylesworth and McClintock offer a similarly energetic, folksy retelling of a sequential tale about a stubborn pig who refuses to pass through a gate to enter the yard of its new owner. Rendered in brown pencil and watercolors, McClintock's earth-toned art conjures a rural 19th-century setting, replete with charming period particulars. The text's repetition and rhythm virtually command readers to chime in, as the determined heroine, Nelly, tries to enlist the aid of a number of initially uncooperative animals and inanimate objects: "Stick, stick, come hit dog. Dog won't bite Aunt Pitty Patty's piggy. It's gettin' late, and piggy's by the gate sayin', 'No, no, no, I will not go!' " Nelly's resolve pays off in an ending propelled by an amusing chain reaction. McClintock's pictures contain spirited detailsAe.g., a butcher, complying with Nelly's request that he scare an ox, chases the animal while carrying a picture of a steak; and the title character, persuaded at last to enter the yard, licks his chops hopefully as he stares in through the window at a supper shared by his mistress, her farmer suitor and Nelly. A recipe for corn bread appears, invitingly if irrelevantly, on the back of the book jacket. Narrative and art pull equal weight in this cheerful reworking. Ages 3-7. (Sept.)
Copyright 1999 Reed Business Information, Inc.

From School Library Journal
PreSchool-Grade 1-Aunt Pitty Patty can't get her piggy to go in the gate, so her young niece Nelly tries to get some assistance. She is turned down first by dog, and then by stick, fire, water, and so on, until cow requests hay in payment, and Farmer Brown decides to trade some for the prospect of a good meal. "And little Nelly took the hay and gave it to the cow," starting the chain reaction that leads to the expected and satisfying conclusion. The fun is in getting there. By the same team that did The Gingerbread Man (Scholastic, 1998), this nicely paced retelling of the old cumulative tale is done in much the same style and format, although these pencil-and-watercolor illustrations don't leap off the page with quite the same wit and energy. Most of the paintings are soft-edged and grainy, thus underscoring the folksy, turn-of-the-century setting. McClintock depicts a bucolic landscape, animals with personality, and a determined and feisty Nelly. A recipe for "Aunt Pitty Patty's Old-Fashioned Corn Bread" is appended on the dust jacket. A winning read-aloud or storyhour selection.
Corinne Camarata, Port Washington Public Library, NY
Copyright 1999 Reed Business Information, Inc.

From Booklist
With the same old-fashioned pastoral setting as in Aylesworth and McClintock's Gingerbread Man (1998), this retelling of an old cumulative folktale is great for reading aloud and joining in. McClintock's delicately detailed double-page spreads in brown pencil and watercolor set the cozy farce in a Randolph Caldecott^-style, bucolic farmyard landscape. Aunt Pitty Patty brings a fine, fat piggy home from market, but the piggy won't go through the gate ("No, no, no, I will not go!"). Aunt Pitty Patty's niece Nelly asks the dog to bite the piggy, but the dog won't. She asks the stick to hit the dog, but the stick won't. And so on--until (surprise!) a cat agrees to help if Nelly gets it some milk, and the cow says she'll give milk, if . . . and then everything goes in reverse in a fast-paced, satisfying turnabout. The creatures' expressions and body language add to the fun, as stubborn disobedience and antisocial behavior give way to a hilarious community effort, ending when that piggy finally does go through the gate. Hazel Rochman

Most helpful customer reviews

2 of 2 people found the following review helpful.
How to get a pig through a gate...
By ...Loggie...
Aunt Pitty Patty and her niece Nelly went to the market. When they returned home it was plus a pig. A pig that doesn't want to go through the house's gate, that is. Nelly goes to get help, and first asks a dog to bite the pig, but the dog refuses. So then she asks a stick to hit the dog, because he refused. When the stick refuses as well, Nelly continues the chain, asking all sorts of creatures and items to help her. Finally she gets a yes, and the chain holds true, right up to the stick hitting the dog which bites the pig, who then goes through the gate.

The story is told well, and flows nicely. It is easy to read out loud.

The illustrations in this book are beautiful. Very realistic, and full of detail (like the flowers along the road), these illustrations make the book special. They add a lot to the book. Nelly is cute, and as the story progresses you can see how she becomes more and more frustrated and annoyed.

All in all, it is a very good book with great illustrations.

Loggie-log-log-log

2 of 2 people found the following review helpful.
Aunt Pitty Patty's Piggy
By C. Wagner
Children will enjoy this read aloud adventure of complications featuring one obstinate pig that refuses to enter a gate. When at last the stick, the cow, the butcher, et al. have resolved the matter, and Farmer Brown, Nelly, and Aunt Pitty Patty have settled down to a fine meal, guess who is looking in hungrily from the window. McClintock's 19th century style illustrations provide plenty of tenacious animals and sylvan scenes. A fine selection to add to your bedtime or storytime collection.

0 of 0 people found the following review helpful.
How to get a pig through a gate...
By ...Loggie...
Aunt Pitty Patty and her niece Nelly went to the market. When they returned home it was plus a pig. A pig that doesn't want to go through the house's gate, that is. Nelly goes to get help, and first asks a dog to bite the pig, but the dog refuses. So then she asks a stick to hit the dog, because he refused. When the stick refuses as well, Nelly continues the chain, asking all sorts of creatures and items to help her. Finally she gets a yes, and the chain holds true, right up to the stick hitting the dog which bites the pig, who then goes through the gate.

The story is told well, and flows nicely. It is easy to read out loud.

The illustrations in this book are beautiful. Very realistic, and full of detail (like the flowers along the road), these illustrations make the book special. They add a lot to the book. Nelly is cute, and as the story progresses you can see how she becomes more and more frustrated and annoyed.

All in all, it is a very good book with great illustrations.

Loggie-log-log-log

See all 6 customer reviews...

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[D395.Ebook] Fee Download Contract Law: An Introduction to the English Law of Contract for the Civil Lawyer (Second Edition), by John Cartwright

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Contract Law: An Introduction to the English Law of Contract for the Civil Lawyer (Second Edition), by John Cartwright

This book provides an introduction to the English law of contract. In this fully updated second edition, the book retains the primary focus of the previous edition, offering an explanation of the rules of the English law of contract, in a manner which is accessible to the lawyer trained in a civil law jurisdiction who already has an understanding of a different law of contract. However, setting English contract law generally in the context of other European and international approaches, the book also serves as an introductory text for students who can see, not only how English contract law works, but also get a glimpse of different ways of thinking about some of the fundamental rules of contract law.

  • Sales Rank: #2820176 in Books
  • Published on: 2013-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 6.10" w x 9.10" l, .0 pounds
  • Binding: Paperback
  • 368 pages

About the Author
John Cartwright is Senior Lecturer and teaching fellow at the University of Chester, where he teaches courses on evolutionary psychology, genetics and evolution, and animal behavior.

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Thursday, 25 September 2014

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Published on: 2015-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .56" w x 6.14" l, 1.14 pounds
  • Binding: Hardcover
  • 244 pages

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Wednesday, 24 September 2014

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First-person accounts of life in Pinochet's Chile—"the perfect epitaph to a violent dictatorship" (Library Journal). "Like a García Márquez novel that has suddenly, horrifyingly, come to real life" (New York Newsday), Fear in Chile is an extraordinary collection of first-person accounts of life under dictatorship. In the 1980s, shortly after Chile emerged from one of the century's most notorious reigns of terror, Chilean journalist Patricia Politzer interviewed figures including a revolutionary activist, a military leader loyal to General Augusto Pinochet, a bank clerk concerned with the status quo, the mother of one of the "disappeared," as well as a dozen other men and women from every political position and social stratum of Chilean life. The result is a broad, vivid, yet nonideological view of modern life under military rule, about which Ariel Dorfman writes, "I can think of no better introduction to my country." With the October 1998 arrest of General Pinochet in Great Britain and renewed world awareness of the horrendous crimes committed during his regime, Fear in Chile, updated with a new afterword by the author that considers the recent attempts to prosecute Pinochet for human-rights violations, offers a vivid portrait of Chile's Pinochet era.

  • Sales Rank: #5860046 in Books
  • Published on: 1989-11-25
  • Released on: 1989-11-25
  • Original language: English
  • Dimensions: 9.75" h x 6.50" w x 1.25" l,
  • Binding: Hardcover
  • 245 pages

From Library Journal
Through these interviews with both pro-and anti-government Chileans, journalist Politzer conveys the widespread fear that has become endemic in this country. For another account, see Gabriel Garcia Marquez's Clandestine in Chile ( LJ 6/15/87).-- Ed. . She juxtaposes accounts of relentless killings, disappearances, and police brutality with exalting reports of economic prosperity under Pinochet's regime. Macabrely fascinating, this book is a timely release in light of the upcoming Chilean presidential election that was mandated by the 1988 plebiscite. The book may become the perfect epitaph to a violent dictatorship.
- Bibi Thompson, "Library Journal"
Copyright 1989 Reed Business Information, Inc.

Language Notes
Text: English (translation)
Original Language: Spanish

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Among the many different approaches to "templating" with Perl--such as Embperl, Mason, HTML::Template, and hundreds of other lesser known systems--the Template Toolkit is widely recognized as one of the most versatile. Like other templating systems, the Template Toolkit allows programmers to embed Perl code and custom macros into HTML documents in order to create customized documents on the fly. But unlike the others, the Template Toolkit is as facile at producing HTML as it is at producing XML, PDF, or any other output format. And because it has its own simple templating language, templates can be written and edited by people who don't know Perl. In short, the Template Toolkit combines the best features of its competitors, with ease-of-use and flexibility, resulting in a technology that's fast, powerful and extensible, and ideally suited to the production and maintenance of web content and other dynamic document systems.In Perl Template Toolkit you'll find detailed coverage of this increasingly popular technology. Written by core members of the technology's development team, the book guides you through the entire process of installing, configuring, using, and extending the Template Toolkit. It begins with a fast-paced but thorough tutorial on building web content with the Template Toolkit, and then walks you through generating and using data files, particularly with XML. It also provides detailed information on the Template Toolkit's modules, libraries, and tools in addition to a complete reference manual.Topics in the book include:

  • Getting started with the template toolkit
  • The Template language
  • Template directives
  • Filters
  • Plugins
  • Extending the Template Toolkit
  • Accessing databases
  • XML
  • Advanced static web page techniques
  • Dynamic web content and web applications
The only book to cover this important tool, Perl Template Toolkit is essential reading for any Perl programmer who wants to create dynamic web content that is remarkably easy to maintain. This book is your surefire guide to implementing this fast, flexible, and powerful templating system.

  • Sales Rank: #1328807 in Books
  • Published on: 2004-01-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x 1.27" w x 7.00" l, 2.16 pounds
  • Binding: Paperback
  • 592 pages

Review
"If you are a Perl programming then this is an essential book." VSJ, June 2004 "The authors are clearly passionate about Perl: the writing is sharp, to the point, and - this might sound odd about a topic like Perl templating - exciting. Any monkey could write a book on TT in 100 pages discussing what it does and how it works, but what these three have managed to put together is an explosion of ideas and evolutionary 'wow factor' that makes for compelling reading for any Perl programmer who has looked at JSP and felt a twinge of envy." "574 pages of Perl templating is anything but boring..." "no expense has been spared in making this a high-quality package full of excellent code as well as up-to-date hints and advice. The print is O'Reilly's usual 'animal' style; clear and easy to read, with Perl guru Nat Torkington presiding as editor.Linux Format, October 2004 "If you have a requirement for anything that goes beyond the simple one page 'look at my website', and you care passionately about dynamic content creation and management, then this is definitely the book for you." - Davey Winder, PC Plus, Nov (rating 8/10)

About the Author

Darren Chamberlain is an active member of the Template Toolkit development team.

David Cross is the owner of Magnum Solutions Ltd., a London-based Perl Consultancy, and is also the author of the well-respected Data Munging with Perl.

Andy Wardley is the author of several CPAN modules including the Template Toolkit. He is a software researcher at the Canon Research Centre Europe and specializes in web-related technologies including dynamic content generation, web application frameworks, and the customization and localization of user interfaces and web content.

Most helpful customer reviews

18 of 18 people found the following review helpful.
good book for several audiences
By Alan Mead
I picked up this book because I want to use a templateing system to produce web pages and I grok Perl pretty well. This book seems designed for at least two audiences, people who want to create something like a website using the TT and people who want to hack/extend the template toolkit.
The book is a very gentle and seemingly thorough introduction and explanation. The authors write with clarity and humor. I must admit that the authors write with such thoroughness and gentleness that I sometimes grew impatient. One addition I would have liked is more examples. Chapter 2 carefully explains a complete, but very simple example and Chapters 11 and 12 contain much richer examples. However, I find that I never learn unless I *do* and for such a long book, I was surprised that there wasn't more directly about the application of the TT.
You can use this book and the toolkit without knowing any Perl. The authors explain things well and clearly. However, you will get maximum value from the TT (and grok the syntax most quickly) if you know some Perl. The material on filters and plugins (there is a chapter on each, parts of another chapter about writing your own, plus entire chapters dealing with DBI and XML plugins... it's a good chunk of the book) is wonderfully detailed and probably justifies the book.
I skimmed most of the material on hacking and extending the toolkit. It seemed pretty thorough, even explaining how to alter or replace the TT syntax (right down to a quick tutorial on Yapp/yacc). I learned a lot from the little bit I read. I suspect this would be very helpful to Perl hackers and others as an example.
A note about the toolkit itself. It's very powerful. In many ways, it's like Perl itself (e.g., it has a Perl-like syntax). It has exceptions but scoping seems weak and there appears not to be anything like 'use strict'.
In summary, this is a good book for a variety of audiences. It is very well written and you should leave it's pages with enough know-how to use it for something like web page generation. I learned a lot about Perl and available CPAN modules (in addition to learning a lot about the TT). But I wish there was more direct practical application as examples, exercises, recipes, etc.

8 of 13 people found the following review helpful.
Well written, but not terribly useful for what I wanted.
By Amazon Customer
I was looking for a book which would describe the template toolkit in great detail for use in web development(CGI's).

Specifically I wanted something which would match the perl TT with Class::DBI and CGI::FormBuilder.

The Perl Template Toolkit was clearly written with good examples, but is fairly light in the CGI realm. Only chapter 12 has CGI examples, with no javascript thrown in.

A mating to CGI::FormBuilder is a natural marriage to the perl template toolkit, but CGI::FormBuilder is not even mentioned.

It's too bad the book doesn't cover in more detail some of the commonly used CGI modules in conjunction with the perl template toolkit, as the writing and examples are top notch.

It's a great look at the template toolkit, but doen't throw in enough info to hook it into the rest of the perl/web development realm to be as useful as it could have been.

With a few more chapters I think this could be a really great book.

I would not have purchased this book if I had thumbed through it at a bookstore.

1 of 2 people found the following review helpful.
A very powerful and verstile tool
By Craig Frooninckx
I used this book on a couple of projects and was very impressed with how helpful it was. A suggest that I would like to see in this already large book is more examples of a full project. Each chapter addresses a part of the tool and the final chapter brings it all together, I would like to see another chapter for an example.

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[Y727.Ebook] PDF Ebook The Twelve (Passage), by Justin Cronin

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The Twelve (Passage), by Justin Cronin

NEW YORK TIMES BESTSELLER • Look for a special preview of Justin Cronin’s The City of Mirrors in the back of the book.

The end of the world was only the beginning.
 
In his internationally bestselling and critically acclaimed novel The Passage, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with . . .
 
THE TWELVE
 
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
 
One hundred years in the future, Amy and the others fight on for humankind’s salvation . . . unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
 
A heart-stopping thriller rendered with masterful literary skill, The Twelve is a grand and gripping tale of sacrifice and survival.

Praise for The Twelve
 
“[A] literary superthriller.”—The New York Times Book Review
 
“An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel
 
“The Twelve is even better than The Passage.”—The Plain Dealer
 
“A compulsive read.”—San Francisco Chronicle
 
“Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology. . . . Enthralling, emotional and entertaining.”—The San Diego Union-Tribune
 
“Fine storytelling.”—Associated Press
 
“Cronin is one of those rare authors who works on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram

  • Sales Rank: #288122 in Books
  • Brand: Ballantine Books
  • Published on: 2013-07-30
  • Released on: 2013-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.48" h x 1.44" w x 4.17" l, .77 pounds
  • Binding: Mass Market Paperback
  • 624 pages
Features
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Amazon.com Review
An Exclusive Essay by Author Justin Cronin

Readers often ask where I get my ideas. The better question would be: Where don’t I?

Many people know that The Passage was born from a challenge laid down by my eight-year-old daughter to write the story of “a girl who saves the world.” This wasn’t exactly what I wanted to hear—it seemed a trifle ambitious—but a dare is a dare. For the next three months she joined me on my daily jog, following along on her bicycle, while the two of us hashed out the plot. As the weeks passed, I realized we were onto something much better than the book I was supposed to be writing. I put that book aside, wrote the first chapter of The Passage, and never looked back.

So don’t ever think you shouldn’t listen to your kids.

But my daughter’s challenge wasn’t the only inspiration. When I write a novel, my goal is to put absolutely everything I have into its pages, right down to the interesting thing that happened yesterday. I know I’m done when my mind feels as empty as a leaky bucket. So many influences, real and imagined, went into The Passage that I couldn’t list them if I tried. But one memory that stands out is the night my family and I tried to flee Houston in advance of hurricane Rita. Apparently, about a million other people had the same idea. After five hours on the road, we’d made it all of sixty miles. The highways were clogged with cars that had long since run out of gas; every minimart and gas station had been picked clean. I jumped the median and made it home in a little under an hour, my gas gauge floating just above ‘E’.

Rita missed Houston, slamming into a less-inhabited section of Texas and Louisiana coastline. But the experience of being in a large urban evacuation, with its feeling of barely-bottled panic, was one I’ll never forget, and is everywhere in the pages of The Passage.

So where did The Twelve come from?

Again, many places. But if I had to pick one source, it would be the strong women in my life. No bones about it: Gentlemen, if you doubt for a second that women are tougher than we are, go watch one have a baby. So here you have Alicia, the woman warrior with her blades and crossbow; here you have Amy, the spiritual leader and visionary; here you have one of my favorite new characters, Lore DeVeer, whose mechanical savvy is matched only by her unbridled sensuality; here you have a fourth woman (sorry, can’t tell you who) whose maternal strength is as powerful as any great spectacle of nature. As I wrote The Twelve, I came to understand that these powerful characters were the backbone of the tale. Even more, they are a tribute to all the amazing women I am privileged to know, befriend, and in one very lucky instance, marry.

Hope you enjoy The Twelve. All eyes.

Review
“[A] literary superthriller.”—The New York Times Book Review
 
“An undeniable and compelling epic . . . a complex narrative of flight and forgiveness, of great suffering and staggering loss, of terrible betrayals and incredible hope.”—Milwaukee Journal Sentinel
 
“The Twelve is even better than The Passage.”—The Plain Dealer
 
“A compulsive read.”—San Francisco Chronicle
 
“Gripping . . . Cronin [introduces] eerie new elements to his masterful mythology. . . . Enthralling, emotional and entertaining.”—The San Diego Union-Tribune
 
“Fine storytelling.”—Associated Press
 
“Cronin is one of those rare authors who works on two different levels, blending elegantly crafted literary fiction with cliff-hanging thrills.”—Fort Worth Star-Telegram


From the Hardcover edition.

About the Author
Justin Cronin is the author of The Passage, Mary and O’Neil (which won the PEN/Hemingway Award and the Stephen Crane Prize), and The Summer Guest. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts.


From the Hardcover edition.

Most helpful customer reviews

429 of 493 people found the following review helpful.
"All eyes."
By "switterbug" Betsey Van Horn
THE TWELVE, which is the second book of Cronin's towering trilogy, can be read as a complete book, whereas the first book stopped abruptly, like a gasp. However, I urge you to read THE PASSAGE first, because the epic as a whole is a finely calibrated accretion of history, plot and character. The Twelve refers to the twelve "parent" or original virals, the death-row-inmate subjects-turned-virals from "Project Noah," who must be liquidated in order to save the world. The thrust of this book is the hunt of the twelve by Amy, Alicia, Peter, and company.

"All eyes." Two words commonly spoken by the First Colony Watchers, starting in Book one--survivors of the end of the world as we know it. I shiver when I read it now, this sober siren call of fellowship to signal strength and vision, to defeat the virals. It carries an additional, deep and tacit message now--that I honor you, comrade (lover, brother, father, mother, friend, sister, soldier, daughter)--go bravely and stay safe. And keep your eyes forward, against the last remaining light of the day.

Cronin's weighty trilogy, a hybrid of mainstream and literary fiction, isn't just a story about these photophobic vampiric virals, identified variously as dracs, smokes, flyers, jumps, and glowsticks. Rather, it is a portrait of humanity in extremis. Virals, caused by a military experiment gone awry, are a malignant, violent force of annihilation. But what reserves of strength keep us fighting? How do people live in a post-apocalyptic world? Is another end coming? Or a beginning? Is the world even worth saving? THE TWELVE, like THE PASSAGE, has as much anthropology, eschatology, psychology, and philosophy, as it does gore, battle and horror.

Cronin's tilted, unconventional structure has an elegant, understated, and circular pull and propulsion, muted at times, roaring at others. He periodically pauses in the progress of the plot for his intense and luminous miniatures--mystical, sensory flights of prose and backstory elaboration, (although briefer in THE TWELVE), which deepen the intricate plot strands as well as create a vivid landscape, emotionally and physically. Gradually, he braids it all together.

The trilogy isn't linear, but it is, ultimately, progressive. THE TWELVE starts back at year zero (the viral outbreak), providing new characters and expanding on previous ones, as it steadily brings us back to the present, approximately 97 A.V. (After Virus), five years after the end of THE PASSAGE. Peppered here and there are the terse, abstract texts dated 1003 A.V. And, yes, the cliffhanger ending of the first book, as well as all strands, are eventually returned to and understood. The author is in control of his sublime, colossal narrative.

Cronin traveled every mile in the book for his research, and it shows. His sense of place is so atmospheric and sensuous, alive and turbulent, that geography is a character in itself. From the benevolent but arch company of assembled defense forces in Kerrville, Texas; to a terrifying, totalitarian-ruled labor camp in Iowa; and to a handful of scrappy iconoclasts that roam from place to place, the author's conception of a fractured world flashes and flickers with billion-kilowatt energy in every setting.

Cronin's complex character development equals any realistic literary novel. Amy, Alicia and Peter (and others) continue to evolve, although Peter, admittedly, was more of a placeholder in THE TWELVE, notwithstanding a few valorous confrontations with virals. There's no doubt in my mind that he will figure largely in the final book, now that Amy's character has expanded in surprising, startling, and inevitable ways. He and Amy are bound, as was determined in THE PASSAGE. However, as Amy is more revealed, Alicia becomes more eerie and enigmatic, and discovers an unpredictable and, well, animate love. You also unexpectedly learn more about her ancestors.

But wait until you meet Guilder, and reconnect with Lila (Wolgast's ex-wife); the pages nearly howl with the portrayal of these two characters. From their skin and viscera to their organs and bowels, I have rarely encountered anyone comparable to Lila and Guilder in a horror or dystopian novel. And there are numerous and brilliant secondary characters, such as Carter, the twelfth original viral, that are graphic and memorable. Greer, from the first book, is now a military prisoner and seer. Grey, a sweeper from the first book, finds an opportunity to amend for his past sins, but it doesn't quite work out the way he planned. Also three-dimensional are the virals, a ripe and sentient life force of consummate destruction. And, there are some new developments in store regarding viral species transformation.

The final book, THE CITY OF MIRRORS, is due for release in 2014. The title is a terrific tease, but I believe I possess the prescience to interpret its significance. It gives me a soulful, excited feeling. I know what it means, where this is headed, and that makes it triply electrifying.

102 of 116 people found the following review helpful.
Not EPIC so much as SPRAWLING
By Duran A. Valdez
I liked this book, but it was hard to love it.

For starters, the characterization is pretty weak. Major characters like Peter don't appear until late into the book, and even then they have nothing to do until the story's climax. Amy seems to wander in and out of the book and almost all the major changes that happen to her are physical--other than numerous chapters devoted to her remembering Wolfgast lovingly and some vague references to her maturing there's not a lot that is made clear about her internal state of mind. Besides this, there are numerous characters added to the story that just don't get enough page time to really flesh them out--Tifty Lamont, I'm looking at you. Possibly the best developed characters are Guilder, Sarah, and Lila--however, even they needed more time and attention. Lila, who is wonderfully fleshed out as a character who cannot cope with reality, has a huge change in character in the final chapters of the book. This transformation never felt earned or believable--it was as though Cronin needed to tie up some loose ends and having her instantly come back to sanity was way too pat on his part.

Secondly, the plot is convoluted and lacks focus. The Passage had the characters joined together on a quest to travel eastward. That's simple, but rewarding enough. The Twelve has the characters scattered about, with no clear mission. And again the novel begins with Cronin deciding to the story of year zero, but from new perspectives. The problem with this decision is that a lot the characters he introduces have no real bearing on the rest of the novel. Characters like Wolfgast were necessary in the last book since their POV not only showed humanity's collapse, but because his relationship to Amy defines her as a person throughout that book in the second. In The Twelve we learn about bus drivers and characters who fathered other characters--but who cares? Only a handful play a role in the rest of the book--devoting time to them makes sense. The other characters are pointless.

Thirdly, I just felt like the villains had no clear motivation, which made it hard for me to feel invested in the story. Guilder, for example, becomes steadily more evil, but I couldn't tell whether he was working with the vamps or as a third party until very late in the story. And I didn't know what The Twelve were trying to accomplish. Sure, in the last book, their motivations were pretty simplistic (kill all humans and drink their blood) but at least that was concrete. In The Twelve these demi-god vampires seem to do things just because they do things. They move from their lairs because ... well, just because. They go to the city just ... because. Some of the characters try to guess at their motives, but it's never confirmed, and that made the novel a lot less interesting than The Passage.

Oh, and finally, it drove me nuts how EVERYONE in this story is somehow related to another character in a way that's meant to be a surprise. The first few times Cronin does this it's cute. Oh, so that guy is related to Alicia! Interesting! And hey, that lady is so and so's wife! But after like ... THE FIFTEENTH time this trick was used it became pretty lame.

110 of 131 people found the following review helpful.
Mixed bag
By Beatrix Potter
I highly recommend that you re-read the first book, The Passage, immediately before you read The Twelve. I read The Passage last year and with this book I found myself frequently lost and confused, sometimes resorting to google to try and piece things together. The experience reminded me of reading the Game of Thrones series--there were so many story lines and trying to follow even the old ones was difficult enough. In this book, there are a couple of new storylines that just POOF, disappeared. I will assume that they pick up in the last installment but it was especially distracting to get caught up in something that went nowhere and I likely won't remember when the next one comes out. There were also some terms that didn't seem to be explained or defined that had me reading, re-reading, re-reading. I like the plot and the story arc and I think (emphasis-THINK) I understood how it ended but I wouldn't swear to it. The story I'd give a 5. The flow/writing drags it down to a 3.

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Monday, 22 September 2014

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Fully compatible with your classroom text, Schaum's highlights all the important facts you need to know. Use Schaum's to shorten your study time-and get your best test scores!

Schaum's Outlines-Problem Solved.

  • Sales Rank: #728526 in Books
  • Published on: 1985-06-22
  • Released on: 1985-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x .50" w x 8.10" l, 1.27 pounds
  • Binding: Paperback
  • 256 pages

From the Back Cover
Master analytical chemistry with Schaum'sNthe high-performance study guide. It will help you cut study time, hone problem-solving skills, and achieve your personal best on exams! Students love Schaum's Outlines because they produce results. Each year, hundreds of thousands of students improve their test scores and final grades with these indispensable study guides. Get the edge on your classmates. Use Schaum's! If you don't have a lot of time but want to excel in class, this book helps you: Brush up before tests; Find answers fast; Study quickly and more effectively; Get the big picture without spending hours poring over lengthy textbooks. Schaum's Outlines give you the information your teachers expect you to know in a handy and succinct formatNwithout overwhelming you with unnecessary details. You get a complete overview of the subject. Plus, you get plenty of practice exercises to test your skill. Compatible with any classroom text, Schaum's let you study at your own pace and remind you of all the important facts you need to rememberNfast! And Schaum's are so complete, they're perfect for preparing for graduate or professional exams. Inside, you will find: 590 problems, including step-by-step solutions; Hundreds of additional practice problems, with answers supplied; Clear explanations of the basic concepts and mathematical principles of analytical chemistry; Understandable and comprehensive coverage of techniques taught in the course. If you want top grades and a thorough understanding of analytical chemistry, this powerful study tool is the best tutor you can have! Chapters include: Analytical and Mathematical Review; Statistics and Probabilities; Free Energy and ChemicalEquilibrium; Strong AcidsNStrong Bases; Simple Weak Acids and Weak Bases; Weak Acid or Weak Base Titrations; Polyprotic Weak Acids; Precipitates and Solubilities; Complex Ion Equilibria; Electrochemical Cells; Potentiometric Titrations; Phase Separations and Chromatography; Special Measurements; Radioactivity; Appendix; Index.

About the Author
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide

Most helpful customer reviews

20 of 23 people found the following review helpful.
If you're psyched to learn chemistry...
By A Customer
I own many, many Schaum's Outlines, and am satisfied with all of them. However, before you buy this outline of Analytical Chemistry or any of the other Schaum's Outlines, you need to ask yourself what your needs are. If you are looking for a brief review of a subject, you should look elsewhere. If you are taking a course in Analytical Chemistry and need a little help with some areas of it, you should look elsewhere--preferably, ask someone with a thorough grasp of the subject to explain those areas to you.
The Schaum's Outlines are best used as a self-study tool. Let's face it, reviewing an entire subject and solving all the problems to gain a solid grasp on the material is difficult and time-consuming, and I suspect few students already enrolled in a course will have the extra time to rehash what they've already been told by reading through a Schaum's Outline, and few will want to go through so many problems--at least in my courses, the problems we are provided are too much to begin with.
For review purposes, Schaum's may help some students. However, since you need to know what your course will test you on specifically, you would need to go through the outline along with your notes. Therefore, spending more time reviewing your course notes might be a better use of your time.
Schaum's Outlines are essentially cheaply made textbooks, and, as with other texts, the writing varies widely from one book in the series to another. If a cheap self-study of a course is what you seek, or you'd like to preview a course you plan to take, by all means go with Schaum's. If you are a student looking for help with a subject, seek it elsewhere.

11 of 15 people found the following review helpful.
Great, but wait a minute please.
By Avantel
I gave this book 5 stars because it explains different topics based on electrochemistry, pH, precipitation, potentiometry, etc., and how they relate amongst themselves. The book really gets deep and provides plenty of examples and exercises to master the topics.

That was the good part, now I have to tell you that paying as much time as this book requires is not worth it. I have worked as an Analytical Chemist for three years where I have always been searching which technologies most laboratories and companies use. I also got a M.S. in the field and have taken a deep look at the job market around the world. After all this experiences, I hardly find a place where they would ask more than just taking pH of samples and some titrations that do not require the deep knowledge of this book. It is High Pressure Liquid Chromatography (HPLC), Gas Chromatography (GC), Atomic Absorption (AA) and spectroscopy (especially UV/Vis) the ruling technologies.

For some reason the academic communities have been really careless about the skills chemistry students need in analytical labs. Most analytical chemistry book deal deeply with electrochemistry topics and most schools have students study them rather deep. The chromatographic techniques are not usually given the importance they require. They regard them easy topics and too many books that do mention HPLC and GC cover too much on equilibrium theory and more useless topics. And the same academic communities are rather incongruent because too much electrochemistry is not very useful in the chemistry subject GRE.

4 of 6 people found the following review helpful.
Not so good for graduate exams
By Flight doc
If you are looking for a means to review for a graduate school exam in analytical chemistry, look elsewhere. The material covered in an undergraduate general chemistry textbook is much better for review purposes. For those actually taking the class, I cannot comment on this books' utility.

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Saturday, 20 September 2014

[P779.Ebook] Download PDF Der Medicus von Saragossa, by Noah Gordon

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Der Medicus von Saragossa, by Noah Gordon

Auf der Flucht, auf der Suche nach Glaubens- und Familienangehörigen und auf dem Wege, selbst ein Mann zu werden, beginnt für Jona, die Hauptperson des Romans, eine Odyssee quer durch Spanien, bis er endlich nach einer abenteuerlichen und atemberaubenden Reise in Saragossa ankommt und dort in die Lehre eines Medicus geht.

Noah Gordons jüngster Roman erweitert das Thema seines großen Erfolges "Der Medicus" - eine spannende Stimme erzählt die Geschichte einer Identitätssuche vor historischem Hintergrund. Die Stärken des Autors sind ein Gemisch aus sicherer Erzählkunst, guter Recherche und einer Handlung, die immer auch gute Krimikost liefert.

  • Sales Rank: #135167 in Audible
  • Published on: 2015-06-12
  • Released on: 2015-06-11
  • Format: Unabridged
  • Original language: German
  • Running time: 912 minutes

Most helpful customer reviews

1 of 1 people found the following review helpful.
Excellent story very entertaining.
By Jon Gude
This is a translation from English into German. The German is a little harder than other books in German that I have read. One word that was only used once in the whole book was unknown to a German national with a German degree in literature. The word was Zote which means a dirty joke.
My wife who just finished the original version in English absolutely loved the book.
We both recommend it!

0 of 0 people found the following review helpful.
wirklich gut
By silvia
Interessant mit viel wirklich gut recherchiertem Wissen ueber Glauben und die extrem schwierigen Umstaende diese Glaubensdinge im Alltag umzusetzen. Habe mich kein bisschen gelandgweilt!

0 of 0 people found the following review helpful.
Medieval History Using Fiction
By Dr Peter Sterling
Noah Gordon shows the reader that the best physicians came from the Jewish enclaves throughout Europe. These Physicians learned what they knew in Babylon(Bagdad).

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Monday, 15 September 2014

[V182.Ebook] Get Free Ebook The International Handbook on Social Innovation: Collective Action, Social Learning and Transdisciplinary Research (Elgar Original Referenc

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The International Handbook on Social Innovation: Collective Action, Social Learning and Transdisciplinary Research (Elgar Original Referenc

  • Published on: 1705
  • Binding: Paperback

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Sunday, 14 September 2014

[U222.Ebook] Download Photoshop CS: Essential Skills (Photography Essential Skills), by Mark Galer, Philip Andrews

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'Reading a technical manual with such interest and enthusiasm is indeed a rarity. Easy to comprehend this will be essential reading for novice and experts alike who want to get to grips and understand the creative suite program as a whole. It is one of the best intro Photoshop books I have encountered to date.'
Andy Moxon, Professor of Photography, Savannah College of Art and Design

* Offers practical advice through a highly structured learning approach to the fundamental techniques and skills for personal creativity and communication
*Jam-packed full of Photoshop tutorials to put your skills into practice

A superb full color guide to creative image editing, this will take you through all the necessary steps in order to become a competent and confident Photoshop user. Photoshop CS: Essential Skills companion to Digital Imaging: Essential Skills, provides an in-depth exploration on the latest software features, allowing those who wish to use the digital darkroom instead of traditional darkroom techniques to create professional photographic illustration.

Supporting an independent learning approach, the foundation modules allow you to establish an effective working environment, promoting easy navigation through the image editing process from capture to print, focusing on the essential techniques and skills required. Subsequent guides build upon these skills by exploring creative applications including advanced retouching, photomontage, vector graphics, special effects and preparing images for the web.

www.photoshopessentialskills.com provides an hour and a half of QuickTime movie tutorials in addition to all of the downloadable images required to complete the practical activities within the study guides. It also supplies all the layer styles, custom shapes, gradients and curves settings used in the creative projects and a huge number of helpful links and galleries.

Philip Andrews is a photographer, author and lecturer at the Queensland School of Printing and Graphic Arts, Australia. He is a beta tester for Photoshop and Photoshop Elements and regular contributor to several magazines including Amateur Photographer, Australian Photography and Better Photography. He is also senior contributing editor for Better Digital and Technical Editor for What Digital Camera. His other books include Adobe Photoshop Elements 2.0 and Advanced Photoshop Elements for Digital Photographers, published by Focal Press.

Mark Galer is a photographer, author and Senior Photography Lecturer at RMIT University, Australia. He has also lectured in photography in the UK and has worked commercially as a freelance photographer on corporate and editorial assignments. He is a beta tester for Adobe Photoshop and a regular contributor to Digital Photography + Design magazine and Better Digital. He is the author of Photography: Foundations for Art and Design and other titles within the Essential Skills series.

The Essential Skills Photography Series offers a highly structured learning approach to the fundamental skills of photography. They mix theoretical information with practical advice to maximise the opportunities for creative results.

Each subject includes:

* clear aims and objectives
* short sub-sections illustrated by student and author work
* student activities to check learning outcomes
* student assignments to put theoretical knowledge into a creative context
* glossary of terms

Other titles in the series are 'Studio Photography: Essential Skills' by John Child; 'Photographic Lighting: Essential Skills' by John Child and Mark Galer; Location Photography: Essential Skills' by Mark Galer and Digital Imaging: Essential Skills' by Mark Galer and Les Horvat.

  • Sales Rank: #5297695 in Books
  • Published on: 2004-05-07
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: .76" h x 7.48" w x 9.68" l,
  • Binding: Paperback
  • 352 pages

Review
"...This approach is a brilliant idea that has been much tried in multimedia applications, but the difference here is that the book isn't second best. It is the key document and is beautifully illustrated and set out as a result...this makes it something of an inspiration as well as a work of instruction." - Stills Audio Motion

"First impressions of Photoshop CS: Essential Skills are that it is an exceptionally well laid out, clear, clean, well designed book with a good selection of images and an altogether user-friendly look...I would highly recommend it as an introduction to the digital darkroom for photographic and photo-illustrative imaging." - Journal of Visual Communication in Medicine

"Comprehensive lessons in this book help further your creative potential." - PC Photo

"An excellent resource for any user of CS2." - Outdoor Photographer

From the Back Cover
'Reading a technical manual with such interest and enthusiasm is indeed a rarity. Easy to comprehend this will be essential reading for novice and experts alike who want to get to grips and understand the creative suite program as a whole. It is one of the best intro Photoshop books I have encountered to date.'
Andy Moxon, Professor of Photography, Savannah College of Art and Design

* Offers practical advice through a highly structured learning approach to the fundamental techniques and skills for personal creativity and communication
*Jam-packed full of Photoshop tutorials to put your skills into practice

A superb full color guide to creative image editing, this will take you through all the necessary steps in order to become a competent and confident Photoshop user. Photoshop CS: Essential Skills companion to Digital Imaging: Essential Skills, provides an in-depth exploration on the latest software features, allowing those who wish to use the digital darkroom instead of traditional darkroom techniques to create professional photographic illustration.

Supporting an independent learning approach, the foundation modules allow you to establish an effective working environment, promoting easy navigation through the image editing process from capture to print, focusing on the essential techniques and skills required. Subsequent guides build upon these skills by exploring creative applications including advanced retouching, photomontage, vector graphics, special effects and preparing images for the web.

www.photoshopessentialskills.com provides an hour and a half of QuickTime movie tutorials in addition to all of the downloadable images required to complete the practical activities within the study guides. It also supplies all the layer styles, custom shapes, gradients and curves settings used in the creative projects and a huge number of helpful links and galleries.

Philip Andrews is a photographer, author and lecturer at the Queensland School of Printing and Graphic Arts, Australia. He is a beta tester for Photoshop and Photoshop Elements and regular contributor to several magazines including Amateur Photographer, Australian Photography and Better Photography. He is also senior contributing editor for Better Digital and Technical Editor for What Digital Camera. His other books include Adobe Photoshop Elements 2.0 and Advanced Photoshop Elements for Digital Photographers, published by Focal Press.

Mark Galer is a photographer, author and Senior Photography Lecturer at RMIT University, Australia. He has also lectured in photography in the UK and has worked commercially as a freelance photographer on corporate and editorial assignments. He is a beta tester for Adobe Photoshop and a regular contributor to Digital Photography + Design magazine and Better Digital. He is the author of Photography: Foundations for Art and Design and other titles within the Essential Skills series.

The Essential Skills Photography Series offers a highly structured learning approach to the fundamental skills of photography. They mix theoretical information with practical advice to maximise the opportunities for creative results.

Each subject includes:

* clear aims and objectives
* short sub-sections illustrated by student and author work
* student activities to check learning outcomes
* student assignments to put theoretical knowledge into a creative context
* glossary of terms

Other titles in the series are 'Studio Photography: Essential Skills' by John Child; 'Photographic Lighting: Essential Skills' by John Child and Mark Galer; Location Photography: Essential Skills' by Mark Galer and Digital Imaging: Essential Skills' by Mark Galer and Les Horvat.

About the Author
Mark Galer is the Program Director and Senior lecturer at RMIT University in the School of Media and Communication, Australia. He is also co-writer of their popular online photography courses. He has lectured in photography in the UK and Australia and has worked commercially as a freelance photographer on corporate and editorial assignments. He has written numerous top-selling photography books, including Photography Foundations for Art & Design, the Popular Photoshop Elements; Maximum Performance and Photoshop; Essential Skills series. He is an Official Adobe Ambassador for Photoshop and Photoshop Elements.
Philip Andrews is Adobe Australia's official Photoshop and Elements Ambassador. He is an experienced photographer, author, magazine editor and online course creator. He was previously a lecturer at the Queensland School of Printing and Graphic Arts, Australia and Nescot, England. He is a beta tester for Photoshop, an alpha tester for Photoshop Elements and a Photoshop specialist demonstrator for Adobe Australia. Contributing numerous articles and videos to AdobeTV and the inspirational browser, Philip is a leading source in adobe information and instruction. Philip is also co-founder of photo-college.com an online photography training college. He's a regular contributor to several magazines including Shutterbug, Amateur Photographer, Australian Photography and Better Photography, he is senior contributing editor for Better Digital, columnist for What Digital Camera and Co-editor and publisher of Better Photoshop Techniques magazine.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Highly recommended
By djdidit
I'm a strong intermediate user of Photoshop and have a number of different PS books. This one has a great visual layout, very interesting lessons which are well thoughtout and instructive and packs a lot of information into a very useful format. Highly recommended.

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