Thursday, 28 April 2011

[Y846.Ebook] Free PDF Accidental Billionaire, by Emily Evans

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Accidental Billionaire, by Emily Evans

Imagine looking at your bank balance and seeing one billion dollars. That’s what happens to eighteen-year-old Baylee this summer. And it really pisses her off.

The trouble starts with a guy. Logan. Picture the hottest eighteen-year-old billionaire in America: Prep school accent, tailored clothes, and polished loafers resting on the glass coffee table. That’s him. Logan is spoiled, has no clue about normal, and he’s hot. Stare at him while he sleeps hot.

Their first date takes them on a scavenger hunt across Las Vegas. Who’s their competition? Logan’s wealthy friends, who belong to an elite social club. Billionaires. Secret societies. A winner takes all prize. How can that not end well?

Lies, money, and bliss merge as Baylee becomes the Accidental Billionaire.

Standalone, fun, young adult romance -- book 5 in the Accidental Series.

  • Sales Rank: #43150 in eBooks
  • Published on: 2016-01-29
  • Released on: 2016-01-29
  • Format: Kindle eBook

About the Author
Emily Evans writes fun, young adult romance. She holds a BA in Psychology from Texas A&M University and an MFA in Creative Writing from American College Dublin. A native Houstonian, she loves travel, movies, and books and may be found at www.EmilyEvansBooks.com. Books by Emily Evans include: The Accidental Movie Star, Accidental TV Star, Accidental Action Star, Accidental Rock Star, Accidental Billionaire, The Prince with Amnesia, The Boarding School Experiment, Prep School Experiment, Do Over, The Kissing Deadline, and Whenever.

Most helpful customer reviews

3 of 3 people found the following review helpful.
What Happens in Vegas
By Dorothy
This is a sweet romance with a scavenger hunt adventure. But the overall flavor is off, because the main character's father is so toxic, and threatening to her happiness and financial security, that each scene with him leaves a bitter taste in the story. The boy's family life also is unremittingly unpleasant. Love this author, wish she had given the book a few more scenes/chapters, maybe one more day with the two characters touring around, to the Hoover Dam or a magic show or something.

2 of 2 people found the following review helpful.
Love this book!
By Amazon Customer
Excellent book!! I am certainly not close to YA age anymore (wishful thinking), but I love Emily Evans and especially her Accidental books. They are so much fun to read! Keep on writing, Emily!

2 of 2 people found the following review helpful.
Loved it
By Kindle Customer
Bailey is a smart cookie. I really liked how she brought her down home girl personality to the mix. She and Logan make a great couple. I looking forwArd to the Accidental Series continuing....

See all 18 customer reviews...

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Clinical Doppler Ultrasound: Expert Consult: Online and Print, 3e, by Myron A. Pozniak MD, Paul L Allan BSc MBChB  DMRD  FRCR  FRCPE

Clinical Doppler Ultrasound offers an accessible, comprehensive introduction and overview of the major applications of Doppler ultrasound and their role in patient management. The new edition of this medical reference book discusses everything you need to know to take full advantage of this powerful modality, from anatomy, scanning, and technique, to normal and abnormal findings and their interpretation. It presents just the right amount of Doppler ultrasonography information in a compact, readable format!

"As with previous editions of this text I feel it would make an excellent addition to the library of any department where Doppler ultrasound examinations are performed". Reviewed by: Dave Flinton for the journal Radiography, Nov 2014

  • Make the most informed Doppler imaging decisions possible by gaining a thorough understanding of the advantages and disadvantages of using Doppler ultrasound, as well as the basic principles behind its techniques and technologies.
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  • View real-time videos of Doppler imaging, and search across the complete text online at Expert Consult.

  • Sales Rank: #1246557 in Books
  • Brand: Pozniak, Myron A., M.D./ Allan, Paul L.
  • Published on: 2013-12-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .70" w x 7.50" l, 1.92 pounds
  • Binding: Paperback
  • 400 pages

Review

"This book provides an overview of the major applications of Doppler ultrasound and its role in patient management, explaining how to acquire optimal images and how to avoid errors.Whether you are an experienced vascular technologist/sonographer or a student in ultrasound this book should become a valued addition to your library". Reviewed by Gillian Martin, University Hospitals of South Manchester NHS Fundation Trust, on behalf of RAD Magazine, July 2014 "The text is well referenced and provides details of enough relevant sources for any experienced sonographer to use the book as a guide for developing comprehensive scanning protocols for a range of studies, as well as providing a useful reference for normal values and disease grading criteria. As with previous editions of this text I feel it would make an excellent addition to the library of any department where Doppler ultrasound examinations are performed". Reviewed by: Dave Flinton on behalf of the Radiography journal, Nov 2014

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0 of 0 people found the following review helpful.
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Tuesday, 26 April 2011

[E484.Ebook] Free PDF So You've Been Publicly Shamed, by Jon Ronson

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So You've Been Publicly Shamed, by Jon Ronson

Now a New York Times bestseller and from the author of The Psychopath Test, a captivating and brilliant exploration of one of our world's most underappreciated forces: shame.
 
'It's about the terror, isn't it?'
 
'The terror of what?' I said.
 
'The terror of being found out.'
 
For the past three years, Jon Ronson has travelled the world meeting recipients of high-profile public shamings. The shamed are people like us - people who, say, made a joke on social media that came out badly, or made a mistake at work. Once their transgression is revealed, collective outrage circles with the force of a hurricane and the next thing they know they're being torn apart by an angry mob, jeered at, demonized, sometimes even fired from their job.
 
A great renaissance of public shaming is sweeping our land. Justice has been democratized. The silent majority are getting a voice. But what are we doing with our voice? We are mercilessly finding people's faults. We are defining the boundaries of normality by ruining the lives of those outside it. We are using shame as a form of social control.
 
Simultaneously powerful and hilarious in the way only Jon Ronson can be, So You've Been Publicly Shamed is a deeply honest book about modern life, full of eye-opening truths about the escalating war on human flaws - and the very scary part we all play in it.

  • Sales Rank: #8670 in Books
  • Published on: 2016-03-29
  • Released on: 2016-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .80" w x 5.50" l, .64 pounds
  • Binding: Paperback
  • 336 pages

Amazon.com Review

An Amazon Best Book of April 2015: Author Jon Ronson knows a thing or two about public shaming. When a trio of "academics" hijacked his persona for an infomorph—basically an automated Twitter feed that spewed inane comments about food in his name—he took the fight to the internet, where the virtual, virulent hordes soon compelled the spambot authors to cease and desist. The experience hatched a thought: Once upon a time, if you wanted to participate in a good, old-fashioned public humiliation, you actually had to show up. But as with most everything else, the internet has made condemnation an exercise in crowdsourcing, with today’s angry mobs trading stockades and scarlet As for social media and its inherent anonymity.

So You’ve Been Publicly Shamed is Ronson's tour through a not-necessarily-brave new world where faceless commenters wield the power to destroy lives and careers, where the punishments often outweigh the crimes, and where there is no self-control and (ironically) no consequences. On one hand, part of what makes this book (again, ironically) so fun to read is a certain schadenfreude; it’s fun to read about others' misfortunes, especially if we think they "had it coming." Jonah Lehrer, whose admitted plagiarism and falsifications probably earned him his fall, stalks these pages. But so does Justine Sacco, whose ill-conceived tweet probably didn’t merit hers; as it turns out, the internet doesn’t always differentiate the misdemeanors from the felonies. But the best reason to read this is Ronson's style, which is funny and brisk, yet informative and never condescending. So You’ve Been Publicly Shamed is not a scholarly book, nor is it a workbook about navigating ignominy. It's an entertaining investigation into a growing--and often disturbing--demimonde of uncharitable impulses run amok. --Jon Foro

Review

“Gutsy and smart. Without losing any of the clever agility that makes his books so winning, he has taken on truly consequential material and risen to the challenge….fascinating…shocking…Mr. Ronson’s gift for detail-picking is, as ever, a treat.” –The New York Times

“A sharp-eyed and often hilarious book…Jon Ronson has written a fresh, big-hearted take on an important and timely topic. He has nothing to be ashamed of.” –NPR.org
 
“A diligent investigator and a wry, funny writer, Ronson manages to be at once academic and entertaining.” –The Boston Globe

“This is a wonderful book.” –Jon Stewart 
 
“This book really needed to be written.” –Salon.com

“Required reading for the internet age.” – Entertainment Weekly

“With an introspective and often funny lens, [Ronson] tracks down those whose blunders have exploded in the public eye…So You've Been Publicly Shamed is an insightful, well-researched, and important text about how we react to others' poor decisions.” –The Huffington Post
 
“Personable and empathetic, Ronson is an entertaining guide to the odd corners of the shame-o-sphere.” –The Minneapolis Star Tribune

“It’s sharply observed, amusingly told, and, while its conclusions may stop just short of profound, the true pleasure of the book lies in arriving at those conclusions.”
 –The Onion

“Like all of Ronson’s books, this one is hard to put down, but you will absolutely do so at some point to Google yourself.” –TheMillions.com

“An irresistibly gossipy cocktail with a chaser of guilt.” –Newsday
 
“With So You’ve Been Publicly Shamed Ronson has written a timely, interesting and titillating read for any Internet drama junkie.” –PopMatters.com

“[A] simultaneously lightweight and necessary book.” –Esquire

"A work of original, inspired journalism, it considers thecomplex dynamics between those who shame and those who are shamed, both of whom can become the focus ofsocial media’s grotesque, disproportionate judgments."  –The Financial Times

"[So You've Been Publicly Shamed] is both entertaining and fair -- a balance we could use a lot more of, online and off."  –Vulture

“Ronson is an entertaining and provocative writer, with a broad reach …[So You’ve Been Publicly Shamed] is a well-reported, entertainingly written account of an important subject.” –The Oregonian

"Ronson is a fun writer to read...fascinating." –Fast Company

“I was mesmerized. And I was also disturbed.”  –Forbes

"[So You've Been Publicly Shamed] promises to be the most relevant book of the year." –FlavorWire

"I was sickly fascinated by the book. I think it's Ronson's best book." –Mark Frauenfelder for BoingBoing

"With confidence, verve, and empathy, Ronson skillfully informs and engages the reader without excusing those caught up in the shame game. As he stresses, we are the ones wielding this incredible power over others' lives, often with no regard for the lasting consequences of our actions." –Starred Booklist Review

"Clever and thought-provoking, this book has the potential to open an important dialogue about faux moral posturing online and its potentially disastrous consequences." –Publishers Weekly

“Relentlessly entertaining and thought-provoking.”  –The Guardian

 “Certainly, no reader could finish it without feeling a need to be gentler online, to defer judgment, not to press the retweet button, to resist that primal impulse to stoke the fires of shame.” –The Times
 
“Excruciating, un-put-downable…So You've Been Publicly Shamed is a gripping read, packed with humor and compassion and Ronson's characteristic linguistic juggling of the poignant and the absurd.” –Chapter16.org
 
“A powerful and rewarding read, a book utterly of the moment.”—The Hamilton Spectator

“Ronson is a lovely, fluid writer, and he has a keen eye for painful, telling details.” —The Bloomberg View

“Fascinating and trenchant.” –The Denver Post
 
“[Ronson] is one of our most important modern day thinkers…[So You’ve Been Publicly Shamed] is one of the most therapeutic books imaginable.” – US News & Word Report

“Personable and empathetic, Ronson is an entertaining guide to the odd corners of the shame-o-sphere.” –The Houston Chronicle
 
“[A] satirical Malcolm Gladwell… an accessible, fun read.” – Everyday Ebook

"We love Jon Ronson. He’s thoughtful and very funny. [So You’ve Been Publicly Shamed] is a great book about the way the internet can gang up on people and shame them, when they deserve it, when they don’t deserve it and it’s great."  – Judd Apatow

"Jon Ronson is unreal. So You’ve Been Publicly Shamed –everyone should read that book. He’s one of my favorite human beings." – Bill Hader 

"[A] brilliant, thought-provoking book – a fascinating examination of citizen justice, which has enjoyed a great renaissance since the advent of the internet." – Tatler 

 
"A terrifying and keen insight into a new form of misguided mass hysteria." – Jesse Eisenberg
 
"A fascinating exploration of modern media and public shaming… It's a great conversation starter. Is Twitter the new Salem Witch trials?"– Reese Witherspoon
 




From the Hardcover edition.

About the Author
Jon Ronson’s books include the New York Times bestsellers The Psychopath Testand Lost at Sea: The Jon Ronson Mysteries, and international bestsellers Them: Adventures with Extremists and The Men Who Stare at Goats. He also cowrote the screenplay for Frank, which will be released in theaters August 2014, and which stars Michael Fassbender and Maggie Gyllenhaal. Ronson is a regular contributor toThis American Life and lives in London and New York City.

Most helpful customer reviews

92 of 93 people found the following review helpful.
"It was like we were ... making war on other people's flaws"
By S. McGee
If you're at all involved with social media, I'm willing to bet that if you stop and think for even a few seconds, you can come up with an example of someone -- famous or previously anonymous -- who has been publicly shamed. A car wash worker just lost his job for making disgusting, racist comments about President Obama's daughter -- the ensuing kerfuffle probably ended up winning a larger audience for those comments than he would have had in the first place, ironically enough. There was the tennis championship commenter who asked a female contestant to "give us a twirl" as she went out onto the court for her match (to show off her garb and legs), and more recently, the obituary writer who chose to comment, unflatteringly, on author Colleen McCullough's looks as if they were as important as her achievements. All have been named and shamed online. And that's just off the top of my head, in the last week or two.

The tool of shaming someone publicly for breaking the law or violating the social contract in some other way is as old as time. But with the advent of the Internet, and specifically, the rise of tools like Twitter, shaming can go viral instantly. Instead of your immediate community knowing what you did wrong -- and deciding whether and when to forgive you, because they may have a sense of the broader context and of who you are as a person beyond that misstep -- the entire world now becomes aware, instantly, without any of that context. And the results, as Ronson shows, can be horrifying and potentially disproportionate. Imagine cracking a joke that you know that some folks might consider off color to a buddy sitting next to you at a conference presentation -- then having the woman in front of you turn around, snap your picture, smile at you -- and tweet about how offensive your comments were to women, already a minority and arguably struggling to find a way to feel comfortable in Silicon Valley's "bro culture". That's "D***legate", and it's one of the case studies that Ronson looks at to explore how the Internet has transformed public shaming from one form of potentially violent public pillorying and whipping to a non-violent but far longer lasting and even more damaging variant.

Since Ronson's focus is on the post-Twitter era, you won't find much here about folks like Bill Clinton and Monica Lewinsky, although Ronson explores an argument that suggests sexual misdeeds are viewed with more tolerance by potential shamers than other transgressions (in contrast to the past, when swingers "outed" by the News of the World committed suicide). But whether the name is a familiar one -- Jonah Lehrer, popular science writer pilloried for inventing quotes and for recycling his own content -- or someone unknown, such as the teenager turned into a pariah for mocking what she saw as a self-evident and superfluous sign at Arlington national cemetery requesting silence and respect -- he does a good job of exploring different examples of shame and reasons for shaming, as well as the societal and historical context.

Ronson does occasionally fall into the trap of what I refer to as "stunt" anecdotes: going off to explore things as a participant and taking notes because he knows it will make a good part of the copy to be a fly on the wall. So, the workshop on how to manage and address shame in which he participates becomes a gratuitous anecdote, and some other similar segments felt like overkill.

My five-star rating is as much for the timeliness of the topic as for the book's style and structure, which are really more average than the rating would suggest. It's an OK book, on a standalone basis, but it's the first to really assemble in a coherent fashion all the individual anecdotes and events around this particular theme. It certainly made me think. I've long been aware of the dangers of having a personal "brand", and been vigilant about what I say on social media and my privacy settings on Facebook, for instance. In the social media universe, there simply is no privacy -- or at least, none that you can count on -- and few of those "shame victims" that Ronson profiles in these pages are evil or malicious. Stupid, foolish, careless -- yes. Thoughtless, absolutely. But the shaming, the "mass online destruction" in which people seem to take such delight, seems so disproportionate. "We are defining the boundaries of normality by tearing apart the people outside of it."

This is a great starting point for dialog and discussion, and for that reason alone merits the full five stars.

151 of 161 people found the following review helpful.
Are you so sure it can't happen to you?
By Bookphile
Ronson starts his book off by recounting a personal story. A group of men who made highfalutin' claims to conducting some sort of social experiment set up a Twitter account using Ronson's name, though they claim they weren't trying to pretend to be him. This account began sending out Tweets that made Ronson fear that his friends and family would mistake them for some alternate universe of himself. He confronted the men on camera, the video was uploaded to YouTube, and commenters promptly began to wage a shame war on the perpetrators that ultimately ended with their taking down the fake Twitter account. Ah, sweet justice. Or was it?

Ronson began to wonder what happens to the people on the receiving end of an Internet mob's rage. Through digging into the stories of and conducting interviews with well-know people like disgraced author and journalist Jonah Lehrer and ordinary, previously unknown people like Justine Sacco, Ronson provides a vivid and disturbing picture of what happens to the people on the receiving end of vigilante-style justice and raises interesting philosophical questions about what this means for our larger culture.

This book in no way defends the actions of the people it depicts, though Ronson does have sympathy for his subjects. Instead, he poses a very thought-provoking question: are you so sure this can't happen to you? While it's one thing for the Internet to bring real criminal actions to light and ensure they don't go unpunished, it's another thing for someone who does something stupid or ill-conceived to be subjected to the same scrutiny. After all, how many of us can say we've never made a tasteless joke or said something others might construe as offensive because we thought it was "safe" to do so? In this digital age, when we're all trying to express ourselves in 140 characters or less, it's far easier for that message to reach an audience we didn't intend it to reach.

This book's strength is that it humanizes the people on the receiving end of Internet justice and makes you ponder whether the scorched earth campaign waged against people like Justine Sacco is justified. At the end of the day, her life has not only been damaged, but destroyed, and it may remain that way forever, thanks to Google taking and storing everything anyone has ever said online. Does that punishment really fit the crime?

You'll feel uncomfortable when you read this book, and you should. I know I did. I squirmed as I thought of the times when I jumped on the outrage bandwagon and then moved on with my life without really stopping to wonder what had become of the people on the other end of the outrage. People should be called out for their bad behavior, but do they deserve to have their lives decimated? Do they deserve for their family and friends to have to worry about being associated with them, for fear that their names might be tainted as well? Do they deserve threats of violence? As Ronson points out, there's a reason why the stocks and pillories were phased out of our system of justice. We ought to be alarmed that they're reappearing because, digital or no, the effects they have are real and lasting.

112 of 120 people found the following review helpful.
Absolutely FASCINATING - And Changed my Views
By Karie Hoskins
I found this book to be just fascinating. The title is certainly intriguing, but it was also a rare book that actually made me change my opinions on an issue. And THAT doesn't happen very often. I also think in the research and writing of this book, author Jon Ronson had a similar experience.

One of his first quick examples involves an LA Fitness that was shamed on social media because they wouldn't cancel the membership of a couple who had lost their jobs and couldn't afford the fees. The result of that was that LA Fitness backed down - a story that makes one believe in the "power of the people".

"Something of real consequence was happening. We were at the start of a great renaissance of public shaming. After a lull of almost 180 years (public punishments were phased out in 1837 in the United Kingdom and in 1839 in the United States), it was back in a big way. When we deployed shame, we were utilizing an immensely powerful tool. It was coercive, borderless, and increasing in speed and influence. Hierarchies were being leveled out. The silenced were getting a voice. It was like the democratization of justice."

He may have started this project with that feeling, I don't think he believed this at the end.

One famous (infamous) example of modern day public shaming was the story of Justine Sacco - a woman who had made a VERY ill-thought out tweet at the beginning of a plane flight to Africa - and whose life was ruined by the time she landed. (To confirm how long public shaming can stay with you - I just typed "Justine S" into a search engine - her name was the first result and this happened in 2013.) As Ronson researches her story, and more importantly, meets and talks to Justine, the far reaching implications of a mistaken action that took only seconds to take, becomes very clear to him.

"A life had been ruined. What was it for: just some social media drama? I think our natural disposition as humans is to plod along until we get old and stop. But with social media, we've created a stage for constant artificial high drama. Every day a new person emerges as a magnificent hero or a sickening villain. It's all very sweeping, and not the way we actually are as people. What rush was overpowering us at times like this? What were we getting out of it?"

While most of what Ronson examines is what the shaming does to the shamee - but also - what it says about those who participate. I don't remember him using the term "mob mentality" - but that phenomenon is the underlying message of these case studies.

The portion of the book that had the greatest impact on me was Ronson's conversations and dealing with judge Ted Poe. (I, and maybe others know of him without knowing him - the judge that imposes sentences on people like standing on street corners holding signs about their crimes. What I knew of him made me think he was cruel and something like a "hanging judge". WOW did I have a different opnion after reading this part of the book and what we has to say about the people he dealt with.

And I think (feel) the same thing happened to Ronson. As he speaking with Judge Poe, "Social media shamings are worse than your shamings," I suddenly said to Ted Poe. He looked taken aback. "They are worse," he replied. "They're anonymous." "Or even if they're not anonymous, it's such a pile-on they may as well be." "They're brutal," he said.

I almost hated to put this book down - but in the week since I did so, I've thought about it many, many times - and have mentioned and discussed it with most of my friends and family. This one will stick with me for a LONG time.

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[M200.Ebook] PDF Download Natural, by Bernard Malamud

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Natural, by Bernard Malamud

All he ever wanted was to be the best in the game of baseball.

  • Sales Rank: #3285549 in Books
  • Published on: 1980-07
  • Number of items: 1
  • Binding: Mass Market Paperback

Amazon.com Review
Roy Hobbs, the protagonist of The Natural, makes the mistake of pronouncing aloud his dream: to be the best there ever was. Such hubris, of course, invites divine intervention, but the brilliance of Bernard Malamud's novel is the second chance it offers its hero, elevating him--and his story--into the realm of myth.

Review
" A brilliant and unusually fine novel." -- "The New York Times"
" A preposterously readable story about life." -- "Time"
" Malamud [holds a] high and honored place among contemporary American writers." -- "Washington Post Book World"
" The finest novel about baseball since Ring Lardner left the scene." -- "St. Louis Post-Dispatch"


"A brilliant and unusually fine novel." --"The New York Times""A preposterously readable story about life." --"Time""Malamud [holds a] high and honored place among contemporary American writers." --"Washington Post Book World""The finest novel about baseball since Ring Lardner left the scene." --"St. Louis Post-Dispatch"

About the Author
Bernard Malamud (1914–1986) wrote eight novels; he won the Pulitzer Prize and the National Book Award for The Fixer, and the National Book Award for The Magic Barrel, a book of stories. Born in Brooklyn, New York, he taught for many years at Bennington College in Vermont.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book might have been regarded well mid century, ...
By Julia C. Jennings
This book might have been regarded well mid century, when it was written, but the writing form does not translate well to today. If this book was written today, I doubt if anyone would publish it.

7 of 11 people found the following review helpful.
The SUPER-Natural
By A reader
This book ought to be titled "The Super-Natural," rather than "The Natural," since there are so many mythic and magical elements to it, in both style and content. Forget about any comparisons to the feel-good/and-they-lived-happily-ever-after movie starring Robert Redford. Don't get me wrong--I loved the movie, but still, Malamud must have been tearing his hair over what Hollywood did to his dark, tragic fable of thwarted human ambition, greed and lust.
Even the main character's name, Hobbs, seems symbolic, or at least allusive: Hobbes (slightly different spelling) was a pessimistic philosopher who saw human life as a pitiless struggle for survival. Some reviewers have seen parallels with the King Arthur legend, but the novel isn't a contemporary retelling of that story. Malamud employs elements of the legend to give his own story a deeper, mythic resonance.
What this book ISN'T is a simplistic baseball novel, with a clean-cut hero overcoming adversities and becoming a winner in the end. As a reader you want to like Roy Hobbs, want to see him succeed, but Malamud keeps shoving a stick into his spokes. (Or maybe into his spikes.) His character is a man of unhealthy appetites. Roy's ambition to be "the best that ever was" in baseball is utterly self-centered and he's unable to see beyond it to any higher goal in life. His relationships with women are clumsy and coarse, and his fleeting visions of domestic happiness dimmed by lust and a tendency to want the wrong women for all the wrong reasons. Even his relationship with food is problematic. Toward the end of the novel he becomes the personification of the vice of Gluttony, stuffing himself to the point where he nearly causes his stomach to explode and he winds up in the hospital.
Without giving anything away, I think it's fair to say the book has a dark finale. This grim novel ends with an allusion to the Black Sox scandal--a newsboy begging Roy to "say it ain't true"--and Malamud offers a final line that sounds less like the King Arthur legend than like something from ancient Greek drama in its image of ruined hopes and tragic futility: "he lifted his hands to his face and wept many bitter tears."
Beats me how anyone can describe this brilliant, unforgetable but relentlessly bleak book as inspirational or uplifting. They must be confusing the novel with the movie.

0 of 0 people found the following review helpful.
Four Stars
By Chris
Good book!

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Monday, 18 April 2011

[S101.Ebook] Ebook Make Your Bed: Little Things That Can Change Your Life...And Maybe the World, by William H. McRaven

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Make Your Bed: Little Things That Can Change Your Life...And Maybe the World, by William H. McRaven

#1 NEW YORK TIMES BESTSELLER

"Should be read by every leader in America...a book to inspire your children and grandchildren to become everything that they can." --Wall Street Journal

"Powerful." --USA Today

"Full of captivating personal anecdotes from inside the national security vault." --Washington Post

"Superb, smart, and succinct." --Forbes

BASED ON THE INCREDIBLE GRADUATION SPEECH WITH OVER 10 MILLION VIEWS ON YOUTUBE

If you want to change the world, start off by making your bed.

On May 17, 2014, Admiral William H. McRaven addressed the graduating class of the University of Texas at Austin on their Commencement day. Taking inspiration from the university's slogan, "What starts here changes the world," he shared the ten principles he learned during Navy Seal training that helped him overcome challenges not only in his training and long Naval career, but also throughout his life; and he explained how anyone can use these basic lessons to change themselves-and the world-for the better.

Admiral McRaven's original speech went viral with over 10 million views. Building on the core tenets laid out in his speech, McRaven now recounts tales from his own life and from those of people he encountered during his military service who dealt with hardship and made tough decisions with determination, compassion, honor, and courage. Told with great humility and optimism, this timeless book provides simple wisdom, practical advice, and words of encouragement that will inspire readers to achieve more, even in life's darkest moments.

  • Sales Rank: #5 in Books
  • Published on: 2017-04-04
  • Released on: 2017-04-04
  • Original language: English
  • Dimensions: 7.25" h x .63" w x 5.25" l,
  • Binding: Hardcover
  • 144 pages

Review
"Should be read by every leader in America... [MAKE YOUR BED] is a book to inspire your children and grandchildren to become everything that they can. It is a book to discuss with your executive leadership team as a spur to meeting shared goals. Most of all, it is a book that will leave you with tears in your eyes."―Wall Street Journal

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 20.0px Georgia; color: #101010; -webkit-text-stroke: #101010} span.s1 {font-kerning: none} "Full of captivating personal anecdotes from inside the national security vault...McRaven's lessons, like his commencement speech, extend far beyond his bed-making. He devotes the 10-chapter book to lessons about moving beyond failure, standing up to bullies and giving others hope."―Washington Post

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Arial; color: #323333; -webkit-text-stroke: #323333; background-color: #fafafa} span.s1 {font-kerning: none} "McRaven...has taken the genesis of what he learned during SEAL training and his nearly four decades in Navy Special Operations into a thin, powerful book."―USA Today

"Exquisitely simple...superb, smart, and succinct ideas."―Forbes

About the Author
Admiral William H. McRaven (U.S. Navy Retired) served with great distinction in the Navy. In his thirty-seven years as a Navy SEAL, he commanded at every level. As a Four-Star Admiral, his final assignment was as Commander of all U.S. Special Operations Forces. He is now Chancellor of the University of Texas System.

Most helpful customer reviews

94 of 96 people found the following review helpful.
Make your bed
By John J. Niles
I saw the author on Fox news, and was intrigued. I am certainly not SEAL tough, never was, but anyone can incorporate this into his life. If you are slightly better today than yesterday, and slightly better tomorrow than today, your life will be more meaningful and impactful. I will be purchasing additional copies as gifts.

161 of 171 people found the following review helpful.
Straight talk from a former Navy SEAL
By Kindle Customer
There are many "self-help" books on the market that contain solid information. However, General McRaven's Make Your Bed comes across as refreshingly different from those books by well known self-help gurus like Dr. Phil or Tony Robbins mainly because the anecdotes he uses to illustrate his ten key points are gleaned from his experiences as a Navy SEAL. I read this little book in one sitting and plan to buy copies for my children. In a nutshell, McRaven says that life is tough, but meeting challenges with discipline, determination, a positive attitude and the support of others will most often lead an individual to a meaningful life that will inspire others.

96 of 101 people found the following review helpful.
Every word here is a gift
By Terrence Walsh
Ten little ideas that make life work?
Been there. Done that. Roger, all ten of 'em.
You can probably read this book in less than an hour but it will make you think for days. Maybe even years.

My favorite? # 10: Never, Ever Quit!
A while back I retired from a military service. Then I volunteered to be recalled to active duty to do a job that absolutely nobody else was willing to do. And with good reason--that job had every kind of endless emotional misery and conflict you could imagine. Because I had already retired I had a retirement plaque hanging on my office wall. Many days things were so soul-suckingly rotten that I looked at that plaque. I imagined dropping that plaque on my boss's desk and quitting. And then, every time, I asked my self why I had the desk with the job that nobody else was willing to do. I answered that question to my own satisfaction and did what needed doing next. The plaque stayed on that wall for five years until I was transferred to another job that absolutely nobody else was willing to do.
Good thing I had all that practice. My next "worst job in the Service" lasted nine years. Altogether I had fourteen bonus years of active duty, helping fellow servicemembers and their dependents transition through the toughest times of their lives--disabilities, and death. In the end I had it easy. Darn glad I never quit.

In my experience, every word in this book is a gift. I hope you, too, find that to be true.

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Sunday, 17 April 2011

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The Accidental, by Ali Smith

The Accidental is the dizzyingly entertaining, wickedly humorous story of a mysterious stranger whose sudden appearance during a family’s summer holiday transforms four variously unhappy people. Each of the Smarts–parents Eve and Michael, son Magnus, and the youngest, daughter Astrid–encounter Amber in his or her own solipsistic way, but somehow her presence allows them to se their lives (and their life together) in a new light. Smith’s exhilarating facility with language, her narrative freedom, and her chromatic wordplay propel the novel to its startling, wonderfully enigmatic conclusion.Ali Smith’s acclaimed novel won the prestigious Whitbread Award and was a finalist for the Man Booker Prize, the Orange Prize, and the James Tait Black Memorial Prize.


From the Trade Paperback edition.

  • Sales Rank: #125758 in eBooks
  • Published on: 2007-04-10
  • Released on: 2007-04-10
  • Format: Kindle eBook

Amazon.com Review
Before writing The Accidental, Ali Smith wrote Hotel World, shortlisted for both the Orange Prize and the Man Booker Prize, and several short story collections. Her work is absolutely original, with a trademark quirky style, with whole passages that seem to have been bound into the wrong book and occasional historical asides completely outside the narrative line. Don't be fooled; with Smith, every word has a purpose.

Amber is the catalyst who makes the novel happen. She appears on the doorstep of the Smart's rented summer cottage in Norfolk, England, barefoot and unexpected. Eve Smart, a third-rate author suffering writer's block, believes that she is a friend of her husband's. Michael is a womanizing University professor, but he doesn't usually drag his quarry home. He thinks that she must be a friend of Eve's. Everyone is politely confused and Amber is invited to dinner. She is a consummate liar and manipulator who manages to seduce everyone in the family in some significant way.

Magnus, Eve's 17-year-old son from a former marriage and Astrid, her 12-year-old daughter, are easy prey. Magnus is in despair. He played a prank on a classmate and it went horribly wrong when she killed herself because of the humiliation it caused. He cannot shake the guilt and is about to hang himself from the shower rod when Amber walks into the bathroom, the perfect deus ex machina. She bathes him and takes him back downstairs, announcing that she found him trying to kill himself. Everyone titters. Could it be possible? This is a recurring question as Amber's behavior becomes more and more outrageous. Is this really happening, or is it some family-wide delusion? To add to the mystery, there is a Rashomon-like character to the story in that the same events are recalled by the Smarts through their own filters.

This is a completely engrossing novel that raises as many questions as it answers. --Valerie Ryan

From Publishers Weekly
Heather O'Neill plays Amber, a mysterious stranger who wangles her way into the lives of a vacationing English family spending the summer in a remote cottage. O'Neill reads with studious detachment and a persistent air of mischief, as if the entire story is a particularly juicy practical joke. Given Amber's predilection for wreaking havoc in her new adopted family's comfortably misguided lives, the emotion is supremely apropos. O'Neill is joined by a cast of performers, including Ruth Moore as the perpetually harried, perpetually preoccupied Eve, who spends all her time dreaming of the characters of the latest historical novel she's writing, and Stina Nielsen as Astrid, a 12-year-old with a frightening imagination and a propensity for recording the world on her video camera. The bulk of the book, though, is read by O'Neill, who provides a suitably nuanced reading, at times placid, at times flashing an air of free-floating menace. It is her work, above all, that brings Smith's novel to fully fleshed existence.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Smith's book, which has just won Britain's Whitbread Novel Award, concerns an attractive stranger who shows up on the doorstep of an unhappy family and is unquestioningly taken in. The visitor, armed with a perfect combination of candor, free-spiritedness, and rough love, proceeds to manipulate each of her hosts. Just as abruptly, and, perhaps, predictably, she disappears. We never learn much about her—her only purpose, it seems, was to jolt the family members out of their respective messes—and her righteous self-assurance can get tiresome. But the novel is saved by its skillful and touching rendering of the mental state of each family member. Smith's well-honed, even obsessive prose gives a feeling of eavesdropping on her characters' innermost thoughts.
Copyright © 2006 The New Yorker

Most helpful customer reviews

5 of 5 people found the following review helpful.
Whoops-a-Daisy
By Mark Eremite
It's no secret that writers, especially the literary kind, are known for wearing their works like masks, slipping their hands puppet-like into characters and mugging for their audience: they may not be as smart, attractive, or popular as their characters, but the authors certainly share the same opinions.

In "The Accidental," it's not hard to figure out who author Ali Smith wants to be (or is). She's Amber, a sort of stochastic herbal essence, an earth-flavored, barefoot, dandelion wine of a woman who flounces in a figurative free-fall into the core of the book, twirls about with mad abandon and reckless sexiness, and disappears with just as much speed and consequence. She puts dirty thighs on Heisneberg's uncertainty principle and drops the drawers of chaos theory, manhandling the nuts and bolts inside.

Okay, I'm sorry, I'll be less poetic, even I think Smith herself would appreciate such an out-of-the-lines description. Smith's writing is equally unfettered, and for people who like the idea of meandering through prose the way you might meander through a lovely (and creepy) forest, "The Accidental" is something to cuddle up to. The whole novel reads like one long word game, and even if that means the seriousness of its import is sometimes smeared aside, it also means that for people who love the English language, well, there's plenty here to enjoy.

But that import. Let me not forget the import.

The story is about the family Smarts. Eve is a struggling writer, Michael is an oversexed professor, Magnus is a tortured teen with a secret, and Astrid is a identity-challenged female (one of those thirteen-year-old daughters that cannot accurately be called either girl, woman, or even young lady). Their problems aren't particularly astounding or new, and in many cases, it's hard to sympathize with them, since their troubles are self-brewed and administered (or, in the case of Astrid, normal enough to be boring).

Amber doesn't sympathize with them either. She appears one day at their summer cottage and their lives begin to change. She manipulates and motivates them in the same way any good author drives and directs her characters. The only difference here is that the characters are aware of the manipulation. Step aside, Priandello. Smith's gonna show you a thing or two.

It works in fits and starts (much in the same way that the metaphorical character names are simultaneously profound and heavy-handed), depending on who you sympathize with. I found myself most closely drawn to the adolescent Astrid, but only because her pre-teen angsts were so accurately set up and then so cleanly knocked down. Magnus's shackles of misery and his subsequent liberation I found clever but overdrawn. Eve's self-doubts and dramatics were powerfully done, but ultimately watered down. And Michael, well, the man may well have not existed in the book. As an English professor, some of his sections manage to have the most interesting writing and yet still say the least out of anyone's. Perhaps that's the point.

The book shows us the same things in four different ways, and it's entertaining in the way of jugglers and Rubik's Cubes. It's ultimately the point of the novel that gets in the way, its drive to be something serious. Eve's section ends with a sort-of back-loop to what started the novel, and it's far too cute for the book's own good. She tries to learn and emulate Amber, the novel's catalyst, and although Smith suggests it leads to redemption, I have my doubts.

Because, although Amber is certainly an intriguing character, she is ultimately a marionette with about four strings too many. The book is occasionally punctuated with brief Amber vignettes; related primarily to movies, they are supposed to give us a glimpse into Amber's genesis and upbringing in a world of celluloid and Act 3 miracles, to show us where her free-spirited anarchy found its first birth, and to explain -- in some small measure -- why (or how) this strange woman alters the lives along her seemingly uncharted path. It's Smith's way of bear-hugging the character, of petting her fondly by the fire of her soul.

It's a little patronizing, but it's also understandable. Amber is any author's dream -- something mysterious and sexy, a controlled explosion. Smith wants to use her to teach us something, and even if I didn't feel particularly educated after her exposure (can you guess if the Smarts get smarter?), I did enjoy myself. That part probably wasn't an accident.

5 of 5 people found the following review helpful.
Great virtuosity, small flaws
By wbjonesjr1
I come down on the side of those who see great things in this book. Yes there are some weaknesses: eg. I'm sure Smith could have found more effective and direct ways to make anti-Iraq War statements, and I agree with those that find the poems in the middle gimmicky. In my opinion, Smith creates four great characters and four captivating and emotionally powerful motifs whereby "Amber" shakes each one of them up. Each situation individually and collectively build up considerable tension. And I thought the prose was quite beautiful. All in all, I think what made me admire this book is that I found literary virtuosity where others found pretension. I will look forward to Smith's future books and will not be surprised if one turns out a classic

4 of 5 people found the following review helpful.
Nothing accidental about it, except maybe Amber
By H. Thompson
A family on holiday in a rural county northeast of London is so self-absorbed that they don't realize that they've let a complete stranger into their home. This is the premise of Ali Smith's 2005 novel, The Accidental. The first chapter begins in the first person voice of Amber MacDonald, the stranger; she is the only first person voice in the story. Each of the three sections of the book allows the voice of Amber and each of the four people in the family a stream-of-consciousness narration of their thoughts during a stretch of time. The family: Astrid Smart, the twelve year-old daughter who strives to record all of her life on a camcorder; Magnus Smart, the seventeen year-old son haunted by the suicide of a classmate; Eve Smart, the mother and egotistical author of bad fiction; and Dr. Michael Smart, the step-father and philandering professor; relate their lives in a polyglossic net of third person, present tense episodes. The book moves through time completely within the thoughts of these characters; a modern use of language and structure elements creates a striking, vivid picture of each of their personal crises.
At first look, the characters seem flat, almost stock characters, floating around, too self-centered to notice each other. Astrid's prepubescent musings are whimsical but hardly philosophical; Magnus's depressive, obsessive repetitions are tiresome. Enter Amber. Almost immediately, she saves Magnus from bathroom suicide, becomes the singular obsession of Michael, and gains the trust of Astrid. Amber is the center of conflict in the novel, and the catalyst for the change of each of the family members. While she drives the conflict, however, it would be difficult to say that she is the book's main character--each of the characters brings their own unraveling story to the book, and amazingly, Smith does justice to each of them. Michael, the cliché of the philandering professor, even seems to become self-aware--losing his egoism in the realization that his life is a stereotype. In the only break from stream-of-consciousness style writing in the text, this realization is related in sonnet, free verse, aabb and abab poetry form in the words of Michael.
Because the narration is almost exclusively the stream-of-consciousness presentation of the thoughts of each individual character, the narration does little for exposition beyond what is apparent to the characters. When the characters return home from their vacation at the end of the novel, their house has been stripped entirely empty of everything except the answering machine. It is never discovered what actually transpired to cause this, but Eve suspects that it is Amber's doing. This and other intentional ambiguities add to the mystery of the novel. As epiphanies are reached and characters change their perspectives, the reader must choose which perspective to take on the turn of events, based on the different realities of each of the characters.
One of my favorite elements of the text is the relation of current events to the lives of the characters. At one point, toward the end of the book, Eve is reflecting on some disturbing images recently released from Abu Gharib prison in Baghdad. The picture is a familiar one to the minds of most contemporary Americans, and the description of her reflection on the pictures is probably similar to a fairly recent experience many readers have had. It remains to be told whether this will simply make the book seem outdated in later years, but having snippets of what is still a current situation throughout the text creates a solid sense of a modern setting.
Conventions of devices and structure exist to promote unity and harmony in a text. The Accidental lacks the conventions of dialogue, capitalization, sentence structure, character structure (antagonist vs. protagonist), exposition, punctuation, and use of a single narrator. All these things aside, however, the book still exists as a unified text. The ending of the book is (without being a spoiler) very satisfactory, the text seems harmonized and even one further--believable. There is very little extraneous material, sans one piece: the first person musings of Amber. Amber seems to ramble about little connected with the action of the novel, and her first person narration is completely false. Amber claims to be everything she isn't, and gives absolutely no insight into her character. This is not to say that the book would be any better if the reader knew what Amber was thinking; in fact, it would definitely detract from the intended ambiguity and mystery of the text. However, her parts were rambling, nonsensical, and the author might have done us one better by simply leaving them out. Fortunately, Amber's input is short and the development of the other characters makes up for her extraneous babble.
The unconventional style of Smith's novel is quite successful in telling the story of a pivotal year in the life of the Smart family. The modern structure creates ease of understanding of the characters and their surroundings, and allows the author, in a relatively short text, to relate not one, but four complete stories.

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A Guide to the Collision Avoidance Rules, Seventh Edition 7th edition

  • Sales Rank: #7123771 in Books
  • Published on: 1709
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Why Girls Are Weird: A Novel, by Pamela Ribon

She was just writing a story.
When Anna Koval decides to creatively kill time at her library job in Austin by teaching herself HTML and posting partially fabricated stories about her life on the Internet, she hardly imagines anyone besides her friend Dale is going to read them. He's been bugging her to start writing again since her breakup with Ian over a year ago. And so what if the "Anna K" persona in Anna's online journal has a fabulous boyfriend named Ian? It's not like the real Ian will ever find out about it.

The story started writing itself.
Almost instantly Anna K starts getting e-mail from adoring fans that read her daily postings religiously. One devotee, Tess, seems intent on becoming Anna K's real-life best friend and another, a male admirer who goes by the name of "Ldobler," sounds like he'd want to date Anna K if she didn't already have a boyfriend. Meanwhile, the real Anna can't help but wonder if her newfound fans like her or the alter ego she's created. It's only a matter of time before fact and fiction collide and force Anna to decide not only who she wants to be with, but who she wants to be.

  • Sales Rank: #943332 in eBooks
  • Published on: 2003-07-01
  • Released on: 2003-07-01
  • Format: Kindle eBook

From Booklist
Anna Koval aspires to be a writer but pays the bills by working as a librarian at an Austin high school. Killing time at work, she posts a story about "Slutty Barbies" online and is amazed at the response. Soon she is "creating an entire life on the Internet" and changing from Anna Koval, a "nothing-special-twenty-something to Anna K: Web celebrity." She writes about her shortcomings, her fears, and her love life, and hundreds of readers, including a neurotic groupie and a potential new love, respond in amazingly personal e-mails of their own. When Anna's father dies unexpectedly, she pours out her grief to her invisible fans, and then realizes that she is revealing too much of herself. Feeling overly vulnerable, she gradually deletes her files because, as she explains, "too much of me was up on that webpage, plastered like a billboard." Ribon herself kept a popular Web journal called "Squishy," and she is also a comedian, experiences that shape her light and entertaining first novel. Deborah Donovan
Copyright © American Library Association. All rights reserved

About the Author
Pamela Ribon is a bestselling author, television writer and performer.  A pioneer in the blogging world, her first novel, Why Girls Are Weird, was loosely based on her extremely successful website pamie.com.  The site has been nominated for a Bloggie in Lifetime Achievement, which makes her feel old. Ribon created the cult sensation and tabloid tidbit Call Us Crazy:  The Anne Heche Monologues, a satire of fame, fandom and Fresno.  Her two-woman show, Letters Never Sent (created with four-time Emmy winner and Jay Leno Show favorite Liz Feldman) was showcased at the 2005 HBO US Comedy Arts Festival in Aspen.  She has been writing in television for the past seven years, in both cable and network, including on the Emmy-award winning Samantha Who? starring Christina Applegate.  Using her loyal Internet fan base, Ribon sponsors book drives for libraries in need.  Over the years, pamie.com has sent thousands of books and materials to Oakland and San Diego, sponsored a Tsunami-ravaged village of schoolchildren, and helped restock the shelves of a post-Katrina Harrison County, Mississippi.  Ribon’s book drive can now be found at DeweyDonationSystem.org, which has sponsored libraries from the Negril School in Jamaica to the Children’s Institute in Los Angeles. 

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 000001.

The House of Smut Revealed

24 June

It's been a long time since I've played with dolls. I've never really thought back on my time with plastic humans before, but today, as I was watching a group of giggly young girls browsing Barbies in the Wal-Mart, I remembered that feeling -- that strange sexual energy and giddy shame of playing Barbies in my bedroom. It was a spinning, dizzy sensation. My friends and I spoke in hushed tones as we held these dolls in various stages of dress. If our parents had ever found out what we were doing, those dolls certainly would have been taken away from us. It wasn't our fault Barbie and her pals released our initial sexuality. We were young and full of questions and those dolls are shaped like handheld sexpots.

Barbie has big, incredible breasts with this soft spot between them that your thumb fits into just perfectly. She's not wearing anything underneath her clothing. You can put her in panties and a bra for a quick jog or you can have her make eggs in the Barbie Dream Kitchen wearing only a pair of spiked heels. You can pull her hair up or have it going down all the way to her high and tight ass.

Ken is big and bold and square. He's got a strong chin and jaw. His hair is blond, and sort of wavy. You can run your fingernail along the hard ridges on his head. Or can you? I can't remember if Ken had real hair. I think some of my Kens did. He is very muscular, and the bulge under his pants is impressive enough that you wonder if all boys polish their bulge as often as you'd polish Ken's with Windex. Ken has a nice, defined butt that looks good in a pair of swim trunks.

Barbie and Ken were very different from Donny and Marie. Yes, Donny and Marie Osmond. The fact that I loved Donny and Marie at three or four or however old I was might clue you in on the kind of childhood I had. I spent too much time in front of the television and I loved variety shows. What four-year-old loves variety shows? And were there so many four-year-olds in love with Donny and Marie that they had to make dolls of them? And why did I still have these dolls once I turned ten? Why didn't I get new dolls? I can't really start thinking too much about the hows or whys because it's all so fucked up that I end up wanting to go back in time to scoop up tiny little me and hold her and tell her about the Partridge Family. Anyway, I had these Mormon musical star dolls, but I had no idea what a Mormon was, so they ended up being gigantic sinners in my house.

Marie had short brown hair that was like Sally Field's helmet in Steel Magnolias. She was completely flat-chested. As bad as Skipper, if I remember correctly. Clothes just sat on her, and there was never a need for a belt. Her hand had a hole in it. You could stick her microphone there, but I knew just enough about Mormons to fit a diamond ring in the spot. I had Donny and Marie married, because I was young and thought anyone could get married as long as they loved each other.

Donny was wearing plastic tighty-whiteys. Seriously. There was an extra ridge of plastic that went around Donny's waist and legs. There was no bulge. His hair was dark and slicked down. A plastic shield -- there was no fucking around with Donny Osmond's hair. His smile was so bright and big. I think they painted stars in his eyes. He also had a hole in his hand, but if you did it just right, you could stick one of Barbie's spiked heels in the hole and have him sniff Barbie's shoe. Donny and Marie didn't have enough money for rent, so they lived off their love in a Buster Brown shoebox. Only a ten-year-old can create an incestuous Mormon celebrity relationship and have it be romantic.

Barbie's legs were very difficult to open. You had to jam Ken between them. Donny's arms were already bent at just enough of an angle that you could prop Barbie's legs on each one and they were good to go. Marie's head could turn all the way around. The hole in her hand could also hold a small martini glass. Most of my dolls had marks on their backs from being bound, gagged, and jammed into the bed of my Tonka 4x4.

The Barbie without a left pinkie was the fetishist and she'd often blindfold Strawberry Shortcake and sniff her all over. Custard wore a spiked collar made of toothpicks.

One day the Barbie without a head convinced Donny and Marie to put pink and blue Life pegs through the holes in their hands. The Barbies pretended the pegs were hits of acid and got the Osmonds to think they could fly.

The Barbie Town House had a pulley system for the house elevator. Ken and Skipper enjoyed a quick romp on top of the elevator while it was going up, jumping off on the third floor just before they'd be crushed to death.

I had to give some of my dolls distinguishing marks so I could keep track of all of their fetishes. I didn't want the nudist Barbies to end up bathing with the dolls that liked to sleep with Weebles. Barbie GreenHair liked to take baths in cotton balls. She also enjoyed wrapping herself from head to toe in toilet paper. Skipper MarkerFace enjoyed cutting the hair off other Barbie dolls and taping it to her back. One doll had hair that would grow if you pushed a button on her back or shorten if you twisted her arm. The other Barbies would torture her by pulling on her hair while twisting her arm at the same time. Then they'd eat her hair. Barbie BackwardsLegs enjoyed riding cats. She'd strap herself on and hang on for dear life while they'd buck and toss and eventually eat her head. She was a wild one, Barbie BackwardsLegs. I miss the hell out of her.

Boys loved girls, girls loved girls, boys loved boys, and boys loved girls that loved girls. Anything went in the Barbie Town House.

And, oh, man, they still talk about the day Jem and the Holograms showed up with six bottles of tequila and a roll of paper towels.

Love until later,

Anna K

Copyright © 2003 by Pamela Ribbon

Chapter 000002.

So that's how all of this mess got started. I wrote a story about sex kitten Barbies, put it online, and my life changed forever. From the best I can tell, this entry got passed around from co-worker to co-worker, friend to friend. Those strangers and friends of strangers kept coming back to see what I'd write next. What I thought would be a tiny little webpage that just a few people knew about turned into one that thousands of people read every day. I thought the web was supposed to be dead. Wasn't that what everyone had been saying? "The death of the Internet!" That was why I couldn't get a better job than my library admin thing. It was why I was so bored and started all of this. I was trying to find a time killer at work and decided to teach myself a little HTML. I soon realized that the more I was typing, the more it looked like I was working. Anyone passing by my workstation would think I was hard at work improving myself, but in reality I was writing story after story, creating an entire life on the Internet. Slutty Barbies (and the fact that e-mail will never be dead) took me from Anna Koval, a nothing-special-twenty-something, to Anna K: web celebrity.

I don't know what I thought would happen. In hindsight, I don't know how I thought nothing would come of it.

But I'm ending the story of Anna K -- right here, right now. I'm closing down this website. I want to explain everything before I take it all away. Some people have been with me from the beginning, and I'd feel bad leaving after a year without so much as a good-bye.

It's been a year of strange choices and often embarrassing decisions on my part. I've made new relationships and lost others. Some people involved with all of this were more innocent than others. Those who weren't know who they are. There are others that will be shocked by what I have to say here. There are some who probably knew what I was doing all along. My only defense is that I never meant to hurt anybody. Looking back now, I know I was searching for something. I exposed myself until there was almost nothing left of me to hide. And now I'm removing the final bits of fabric, standing in front of you completely naked. It'll be our last time together like this, and I don't want to keep anything from you anymore.

It all started the night I watched my best friend, Dale, bathing. He had hurt his hand moving his new couch into his apartment and for the first time in a while he was asking me for help.

"You're very cute," I said as I stood over his bathtub.

He lowered himself and floated a washcloth over his crotch: "Just hurry up and then get the hell out of here." He tried to hide his rubber duck behind him, but I had already seen it.

Dale and I met at our first crappy jobs here in Austin right out of college. We waited tables at this restaurant over a Whole Foods store. Three good things about that job: an in-house masseuse, drinking smoothies between rushes, and meeting each other. Every other facet of that place sucked ass.

Dale's my friend who knows the joke I'm about to say because he was about to say it at that exact moment. Like this one time we were both in my car stopped at a red light and a girl wearing a miniskirt and enormous shoes ate shit right in front of us. We both busted up at the sight of those white platforms smacking up and hitting her in the ass as she made this face like she was on The Benny Hill Show. She fell to the ground and flipped back upright in almost one swift motion, her hands pulling the bottom of her skirt down as her purse knocked at her knees. But it was the moment when she walked back to stare down the crack in the street that caused her fall -- when she had to go back just to show all of us that it was the pavement's fault and not those gigantic shoes -- that we completely lost it. It's that laugh that's deep in your stomach where you're sure you'll never breathe again, and nobody else in the entire world but the two of you know why what just happened is the funniest thing that will ever happen in the history of funny moments ever. That's Dale and me.

"I st...

Most helpful customer reviews

2 of 3 people found the following review helpful.
Pamie, I love you.
By Thayli
I have been a fan of this author, through her blog and her work over at TWOP, for a couple of years now. I couldn't wait for the book, which I knew was going to be funny. I was surprised to find that it was not only funny (within 5 pages I was laughing til tears were streaming down my face), but it also had substance to it as well. Which is something that is frequently lacking in the chick-lit genre. I truly enjoyed this, and am now waiting for "Why Moms are Weird" to show up on my doorstep.

31 of 42 people found the following review helpful.
Funny but flawed
By A Customer
I should stop reading books marketed as "chick lit," because books that set up a sharp dichotomy between men and women and that purport to tell "this is how women are" never fail to annoy me. This book is at least upfront about where it's going: it's all right there in the title. So if you find the title off-putting, that's about all you need to know.
Part of my problem with this story was that I never really cared about Anna. She struck me as unlikeable and full of herself, and I kept waiting for the story to turn to some sort of self-awareness that would lead her out of her bubble of self-absorption. But it never happens, and in fact the book seems to celebrate that self-absorption. The central love story is all based on Anna finding a guy who thinks she is the center of the universe just like she does, and that's really not the kind of love story that keeps my attention.
Parts of the book are very funny, but those parts seem tacked on. The stories Anna tells don't seem to fit with the character as she is presented by the narrative, which means that the journal excerpts are jarring and out of place. It might have been interesting to explore the gap between Anna and her online persona, but that exploration only takes place in the most superficial way. The novel looks at Anna K's surface-level lies without acknowledging the fundamental disconnect between her character and the persona she presents through the entries.
In all, Why Girls Are Weird is too shallow to be compelling, too disjointed in tone to be consistently funny. The book goes for the easy answers every time, so it winds up reading like a rough draft of a much better book.

3 of 9 people found the following review helpful.
tiny wooden hand, how i love thee
By Leslie J Lauhon
pamela ribon, self proclaimed wonder killer, does not disappoint in this hilarious account of an internet saga. her storytelling style utilizes an eclectic sense of humor; certain to entertain. i think i fell out of my chair when i read about the tiny wooden hand. every time i order pizza i cry a little just picturing the scene. excellent read.

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